Someone cleverly remarked that the Pandemic has reduced us to the same lot as Peasants living in the Middle Ages:
“Bake Bread, Avoid the Plague, Revolt Against Tyranny.”
How true! I laughed.
…but it brought me to think about the inherent connection all of us have with all those humans who have gone before. And specifically for me, my connection with all those craftspeople, sculptors, potters, those whose skill adorned public and religious structures, even those who painted murals on the rock walls of the caves of Altamira and Lascaux.
Every day in the studio pushes me deeper into an understanding of what art is and what it is all about. The Dutch artist Frederick Franck describes it this way,
“Art is neither a luxury nor merchandise, and far from a hobby. Art must arise from regions fathoms deeper from the deepest recesses of the human Spirit. It springs from the maker’s core, as if it is to touch the core and the very truth of the one who confronts it.”
So while I toil away at 242, creating functional sculpture hopefully to bring beauty to individual residences, my real effort is to infuse the core of life into each work. And while I have a prominent piece of wall sculpture for sale in Papillon, it is there with the express purpose that someone will recognize something of their own spirit in that work and allow it to resonate in their home.
Kafka tells us, “Art is a nothing that is everything,”
I think most of us have a sense of that. Art distinctly changes the energy of a place. I tell my clients who commission work that they are “my Medici;” they make it possible for me to create. To commission a piece of art is inherently different from simply purchasing any other object, a pair of shoes, a kitchen appliance. Those may well make life more comfortable, easier, but they do not deal with a matter of ‘soul.’
It was a comfort to remember that while many were doing the “bread baking” thing, there were also…even back then…many others who were engaged in creating art, that “nothing” which is everything.
September has unceremoniously arrived. Most of us can hardly believe it…I know I can’t. I thought for sure we would be ‘through the Portal’ by now, on to other things, the new taking shape…
“The Portal…calls us to tarry rather than rush through, to accept our vulnerability and not simply re-clothe ourselves in garments that no longer fit”.
I continue to sit in that doorway trying to discern which “garments I should not re-clothe myself in,” which “garments no longer fit,” looking out at the world, still very separate, visiting few friends, at best, “zooming” with family.
Knowing that offering classes and workshops are very definitely some of the “garments” that no longer fit, that organizing and administering arts groups in the community is assuredly “a wardrobe” I have definitely outgrown, I looked with uncertainty at the Studio’s relationship to the rest of the world. I agonized over whether or how I should reach out and connect with the community during the height of the Quarantine, but recognized that, too, was not vestiture that was mine. And with it all, I was concerned that my connection with others would become more limited than I would appreciate.
Shaking me into the beginnings of a new consciousness, however, is the surprising unsolicited flow of commission requests. I am in the midst of a whole series of large projects and small ones, all delightful ideas that call me to engage with the clay in both familiar ways as well as those that stretch my knowledge and relationship with the material. Interaction with individual clients around specific projects these weeks has assured me that there will continue to be lively human connection in the studio.
Every artist, and I believe to the pluperfect, the clay artist, has an element of the hermit in her personality. Thus, my alone-time working at Earthsongs is deeply welcomed. Despite that, there has continued to be a genuine flow to the life of the Studio. Because of this, I have come to know that it is the creative impulse itself, purely the energy inherent in the action of creating, that is an attraction, even as my “old garments” are cast aside.
So that even while alone, standing purely as maker, I understand myself more clearly now as a genuine part of the flow of life here in this local community and the community of the world.
Do I need to do away with other “garments”? Perhaps. But for now, I’m becoming more comfortable wearing just the ones I still have.